Aida Abadžić Hodžić & Edward Lucie-Smith

Talk

February 16, 2017 / 18:30

As part of the exhibition Mersad Berber: An Allegory of BosniaAida Abadžić Hodžić, the exhibition’s curator and art critic Edward Lucie-Smith, one of the leading art historians in Bosnia and Herzegovina, will be in conversation. Edward Lucie-Smith, the author of iconic books such as Art Today and Visual Arts in the Twentieth Century, maintains that Mersad Berber’s vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Free of admissions, drop in. This event will take place in the auditorium. The talk will be in English with simultaneous Turkish translation.

Temporary Exhibition

Mersad Berber

Mersad Berber (1940 – 2012) is one of the greatest and most significant representatives of Bosnian–Herzegovinian art from the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Mersad Berber

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

Turquerie

Turquerie

Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts. 

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.