Old Masters Pastiches

Pera Museum is proud to present an exhibition of Giorgio de Chirico, a pioneer of the metaphysical art movement and one of the most extraordinary artists of the 20th century. Brought to life in collaboration with the Fondazione Giorgio e Isa de Chirico in Rome, the exhibition comprises a broad selection of 70 paintings, 2 lithography series, and 10 sculptures. Take look at his interpretations of old master’s works! 

Pastoral (After Rubens), 1960, oil on canvas, 39 x 49,5 cm. Fondazione Giorgio e Isa de Chirico Collection, Rome 

During this period, de Chirico was attracted to a diverse stable of European great masters, ranging from Titian, Fragonard, Ingres to Delacroix and Rubens, with the artist championing the latter as the ultimate Great Master. 

Phaeton’un Düşüşü (After Rubens), 1954,
Tuval üzerine yağlıboya, 50 x 40 cm.
Fondazione Giorgio e Isa de Chirico Collection, Rome 

Rather than produce pastiches (exact copies), the artist tended to rework or extract details of specific paintings. For example, in the exhibited painting Young Girl Sleeping (after Watteau) of 1947, de Chirico chose to paint just a small detail of Watteau’s Jupiter and Antiope, thus transforming his version into a dormant Ariadnesque figure.

Young Girl Sleeping, (After Watteau), 1947, oil on canvas, 40 x 50 cm.
Fondazione Giorgio e Isa de Chirico Collection, Rome 

Alternatively, in the exhibited Bathers (with Red Drape in the Landscape) of 1945, the artist selects the recognisable pose of Ingre’s central figure of Grande Odalisque (1814), yet choses to reverse her position and place her in an open landscape setting. 

In Self-portrait with Armour (1948), de Chirico reworks Velázquez’s Philip IV in Armour (c. 1626). His decision to superimpose the Spanish king’s head with that of his own serves as a visual demonstration of Nietzsche’s concept of the eternal return and the cyclical nature of Time.


Self-portrait in Armour, 1948,
Tempera and oil on canvas, 50 x 40 cm.

Fondazione Giorgio e Isa de Chirico Collection, Rome

Highlighting his various periods with examples from his earliest works to last ones, Giorgio de Chirico: The Enigma of the World exhibition took place at the Pera Museum between 24 February - 08 May 2016.

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. 

Is he sping on us?  <br>Vajiko Chachkhiani

Is he sping on us?
Vajiko Chachkhiani

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.