Different Techniques, Different Designs: Mario Prassinos

Making illustrations for Surrealist publications in particular as of 1934, Prassinos illustrated the book covers of the L’âge d’or (Golden Age) collection edited by Henri Parisot in the 1940s. During the same period, he designed equally striking 205 cover maquettes for the La Nouvelle Revue Française (NRF) collection published by Gallimard. The collection featured renowned names including Apollinaire, de Beauvoir, Breton, Camus, Faulkner, Hemingway, Kafka, Rimbaud, and Sartre… The illustrations he designed in 1952 for Edgar Allan Poe’s The Raven were, without doubt, the most outstanding ones of all his designs.

The engravings and silk screens of Prassinos carry highly interesting names, such as La nuit de l’eau (The Night of Water), Jardin la nuit (Night Garden), Nuit Marine (Marine Night).

On the 100th anniversary of his birth, Mario Prassinos returned to İstanbul and his place of birth Pera, where his story began, to share, through this exhibition, the many things he took with him in his memories.Mario Prassinos, In Pursuit of an Artist: Istanbul-Paris-Istanbul exhibition took place at Pera Museum between 25 May - 14 August 2016.

Istanbul-Paris-Istanbul: Mario Prassinos

Istanbul-Paris-Istanbul: Mario Prassinos

Mario Prassinos liked Istanbul more than the current Istanbulites of today. It is obvious that you can understand this from the article written by her daughter Catherine Prassinos in the Pera Museum's book on the artist.

Midnight Horror Stories: Witches’ Sun

Midnight Horror Stories: Witches’ Sun

I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant. I have walked until I reached this hill, in the trail of the letter that hurled me once again to my home town...

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.