De Chirico’s Calligrammes

13 April 2016

Pera Museum is proud to present an exhibition of Giorgio de Chirico, a pioneer of the metaphysical art movement and one of the most extraordinary artists of the 20th century.

Take a look at one of Giorgio de Chirico’s greatest graphical achievements, Calligrammes!

Calligrammes (1930) 

In 1930, Éditions Gallimard published G. Apollinaire’s 1913 poetic work Calligrammes, which is illustrated with sixty-six monochromatic lithographs by de Chirico. Paying homage to his dear friend Apollinaire, Calligrammes constitutes one of de Chirico’s greatest graphical achievements in terms of originality. Exhibited here in its interiority, he chose to illustrate Apollinaire’s poems with the Sun on the Easel theme that he had recently developed in Paris. Often depicting two suns or moons connected to one another via a cable, one appears illuminated whilst the other celestial body is ‘turned off’. The flow of power between the two stops at a certain point. De Chirico places this sun-wire-sun or moon-wire-moon motif in both interior and exterior architectural settings.

Highlighting his various periods with examples from his earliest works to last ones, Giorgio de Chirico: The Enigma of the World exhibition took place at the Pera Museum between 24 February - 08 May 2016.

An Organized Chaos: At Marcel Dzama’s Studio

An Organized Chaos: At Marcel Dzama’s Studio

We meet at Marcel Dzama’s studio in Brooklyn on the occasion of his solo exhibition Dancing with the Moon at Pera Museum. On this freezing day in January, he welcomes us with a warm smile, and for a few hours, we step into his world filled with surreal characters, music, dance, politics, and play.

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. 

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.