De Chirico’s Sculptures

25 April 2016

Pera Museum is proud to present an exhibition of Giorgio de Chirico, a pioneer of the metaphysical art movement and one of the most extraordinary artists of the 20th century. Brought to life in collaboration with the Fondazione Giorgio e Isa de Chirico in Rome, the exhibition comprises a broad selection of 70 paintings, 2 lithography series, and 10 sculptures. Take a look at the fascinating sculptures from the exhibition! 

Orpheus, 1970, gold patinated bronze, 45 x 19 x 22,5 cm. Fondazione Giorgio e Isa de Chirico Collection, Rome 

De Chirico’s working relationship with sculpture occurred relatively late in his career. It was in 1940, at the age of 52, and in the midst of World War II, that he started to produce terracotta sculptures of choice protagonists of his artistic repertoire, including Ariadne, Rider on his Horse, and The Archaeologists. 

The Archaeologists, 1940, Polychrome terracotta, 28 x 22 x 23 cm. Fondazione Giorgio e Isa de Chirico Collection, Rome 

For the artist, “If a sculpture is hard, it is not sculpture. Sculpture must be soft and warm; as such, it will not only have all of painting’s softness, but all of its colour too. A beautiful sculpture is always painterly”. 

The Sibyls, 1970, gold patinated bronze, 54 x 18 x 38,5 cm. Fondazione Giorgio e Isa de Chirico Collection, Rome 

De Chirico manages to make them appear more real, breathing life, with almost Pygmalionesque skill, into their inanimate terracotta bodies. These initial dealings with sculpture were short-lived and it was not until 1968, at the age of 80, that he took sculpture up again, choosing to cast his earlier terracotta works into bronze as well as expand his sculptural repertoire with figures like The Consoler and Hector and Andromache

The Consoler, 1970,
Silver patinated bronze, 34 x 19 x 19,5 cm.
Fondazione Giorgio e Isa de Chirico Collection, Rome 

Highlighting his various periods with examples from his earliest works to last ones, Giorgio de Chirico: The Enigma of the World exhibition took place at the Pera Museum between 24 February - 08 May 2016.

Chlebowski’s Sultan

Chlebowski’s Sultan

This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.

Medicinal Herbs in Byzantium

Medicinal Herbs in Byzantium

Knowledge of plants and the practice of healing are closely entwined. The toxic or hallucinogenic nature of some roots, and the dangers associated with picking them, conferred a mythical or magical character and power. 

Niko Pirosmani

Niko Pirosmani

“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze