Böcklinesque Beginnings (1909-1910)

13 March 2016

Having undergone several years of formal artistic training –first frequenting Athens’ Ethnikò Metsòbion Polytechneìo (1900-1906) followed by Munich’s prestigious Königlichen Akademie der Bildenden Künste (1906-1909)– de Chirico’s early Böcklinesque paintings mark his debut as a free-thinking artist, liberated from daily institutional constraints. The work of Swiss symbolist painter  Arnold Böcklin (1827-1901), which de Chirico came into close contact with during his time in Munich, proved seminal in this post-academic phase, an artist whom de Chirico championed for executing works of mythological and fantastical subject matter that convey a disquieting sense of surprise, revelation and déjà vu. Inspired by Böcklin’s choice of subject matter and timeless atmosphere (Stimmung), clear parallels can be found in a number of the artists’ work, including the exhibited Battle with the Centaurs (1909. The metaphysical intensity of the work of German symbolist Max Klinger (1857-1920) also inspired de Chirico’s early phase of 1909-1910.

Highlighting his various periods with examples from his earliest works to last ones, Giorgio de Chirico: The Enigma of the World exhibition took place at the Pera Museum between 24 February - 08 May 2016.

Istanbul-Paris-Istanbul: Mario Prassinos

Istanbul-Paris-Istanbul: Mario Prassinos

Mario Prassinos liked Istanbul more than the current Istanbulites of today. It is obvious that you can understand this from the article written by her daughter Catherine Prassinos in the Pera Museum's book on the artist.

The Painter of Venice

The Painter of Venice

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. 

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.