May 13 - July 26, 2015
The works of outstanding contemporary artist and 2003 Turner Prize winner Grayson Perry (b. 1960) were exhibited at Pera Museum, including tapestries, ceramics and prints.
Organized in collaboration with the British Council and curated by Linsey Young from the British Council’s Visual Arts Team, the exhibition reflected the artist's unrelenting fascination with issues of the everyday, of religion, class, and identity.
Well-known for his transvestite alter ego "Claire", Perry's largest single body of work to date, The Vanity of Small Differences, composed of six tapestries from the British Council Collection, was also exhibited.
Though working within the context of contemporary art, Perry remains a practitioner of artisanal crafts and a lover of beauty. He rejects conceptual art as the sole claimant of ‘ideas’ and champions the decorative and intimate qualities of handmade objects with stories to tell. The ceramic medium that first drew Grayson Perry to craft practice continues to be a critical, and is perhaps the most traditionally beautiful, element of his work.
In this exhibition, alongside the series of ‘The Vanity of Small Differences’ the artist’s earliest work, a ceramic pot from 2002, the period during which Perry was nominated for the Turner Prize; culminating in a self-portrait, ‘A Map of Days,’ which was completed in 2014 for a major exhibition at the National Portrait Gallery were also included.
gallery wall paint sponsor
In collaboration with the Pera Museum and the British Council, the exhibition presented the works of outstanding and iconic contemporary artist Grayson Perry (b. 1960), including largest single...
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.
The museum is closed until May, 18th
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
© 2021 All Rights Reserved | Conditions of Use