}

Csontvary

An Extraordinary Master of Hungarian Painting

October 21 - December 12, 2010

Csontváry was an artist poised at the turn of the twentieth century. The richness and complexity in his works cannot be characterized utilizing the conventions of stylistic categories. Realistic observation, emphasis on changing light, the decorative, orgiastic use of color characteristic of Post-Impressionism, the large-scale handling of form and the strong diffraction of the colors often appear simultaneously on the same canvas.

The exhibition invited us to discover the works of this extraordinary Hungarian artist, who wrote poetry with paintings that reflect his vision beyond the currents of the period, his unique colors, his symbolic narrative, and the ""divine voice"" he claims to have heard.

"As a schoolboy I hated memorizing by heart; I looked at the Bible as a tale, and I rather longed to be outside in nature to listen to the warbling of the nightingale, to gaze at a flower here and there, where the polliniferous petals were busy with whole swarms of butterflies, bees, bumblebees and insects."

Exhibition Catalogue

Csontváry

Csontváry

Csontváry was an artist of the turn of the century. The richness and complexity in his works cannot be characterised based on stylistic categories. Realistic observation, emphasis on the changing...

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Is Istanbul a single city? Will Istanbul too, be one day one day divided into different sections, and numbered like the arrondisements of Paris? These are tough questions indeed! 

The Vanity of Small Differences

The Vanity of Small Differences

The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition. 

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?